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・ Jay Glazer
・ Jay Gluck
・ Jay Goede
・ Jay Gogue
・ Jay Goldberg
・ Jay Golden
・ Jay Goldstein
・ Jay Gonzalez
・ Jay Civetti
・ Jay Clark
・ Jay Clark (coach)
・ Jay Clark (sport shooter)
・ Jay Clarke
・ Jay Clayton
・ Jay Clayton (critic)
Jay Cloidt
・ Jay Cocks
・ Jay Cohen
・ Jay Conison
・ Jay Conrad Levinson
・ Jay Coogan
・ Jay Cooke
・ Jay Cooke & Company
・ Jay Cooke House
・ Jay Cooke Junior High School
・ Jay Cooke State Park
・ Jay Copeland
・ Jay Cost
・ Jay Costa
・ Jay Couisnard


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Jay Cloidt : ウィキペディア英語版
Jay Cloidt
Jay Cloidt (born October 5, 1949) is an American composer, performer, sound designer, and audio engineer.
==History==
Cloidt received his BA in piano performance from the University of Nebraska and his MFA in Electronic Music and the Recording Media from Mills College Center for Contemporary Music in 1981, studying with Robert Ashley and David Behrman.
As a sound designer, he has worked with many groups in the San Francisco Bay Area, including the Kronos Quartet and the Margaret Jenkins Dance Company. Cloidt's work on the Paul Dresher Ensemble's production of Slow Fire won a Bay Area Critics Circle Award, and he received an Isadora Duncan Award in 1989 with Rinde Eckert for the sound design of Eckert's Dry Land Divine.
As a composer, Cloidt has been commissioned by such organizations as the Gary Palmer Dance Company, the Paul Dresher Ensemble, the Margaret Jenkins Dance Company, and the Kronos Quartet, for whom he has written three pieces. His music typically uses electronics, is technically sophisticated, and often contains humor. The ''San Francisco Chronicle'' has called Cloidt "The Spike Jones of the Bay Area new music scene." His music has been performed at the Venice Biennale, New Music America, and Lincoln Center.
His solo CD ''Kole Kat Krush'' was released by Starkland. ''All-Music Guide'' awarded the CD four stars and wrote that the CD is “a wonderful, accessible, and yet challenging album from one of new music's brightest lights.” ''Stereophile'' also awarded the CD four stars, describing Cloidt as "one of the few composers in the post-sampler era to fully develop that tool's fascinating and witty potential." Other recordings appear on the MinMax label.

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